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-Early Vocal Music Map
--Composers
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--Central Middle Ages
--Early Renaissance
--High Renaissance
--The Italian Seicento (17th C)
--German Baroque Music (17th C)
---Heinrich Schütz
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---Catholic Church Music in 17th C Germany
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--The Works of J.S. Bach
--Georg Frederick Händel
--The German Preclassics (1700-1760)
-Sing á la Renaissance.
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-Sing á la Renaissance.
-Early Music Examples
-Örjans folkmusik-exempel
-Arranging & Composing
-Renaissance musical learning
-Renaissance - moving emotions
-Early Music in Swedish Libraries
Links
Internal Information

Umeå Akademiska Kör

Early Vocal Music Map

Search for
  • Research and text by Chris Whent at HOASM (Here on a Sunday Morning - WBAI 99.5 FM New York)
  • Composer Bibliography - links to Wikipedia and HOASM
  • Discography - lists of commercial musical recordings - links to HOASM
  • Vocal PDF-files (music scores) and MIDI-files - links to CPDL (Choral Public Domain Library)
  • Vocal MP3-recordings - public MP3-files at choir home-pages (and some password-protected files, PWD)

VI. German Baroque Music (17th Century)

The rise of the Italians as the leading composers in Europe induced the more important German musicians to go to Italy for their training. Heinrich Schütz (died 1672) was the most accomplished German exponent of the new style, especially in the field of vocal church music. The organ variations of the last great Netherlander Jan Pieterszoon Sweelinck influenced the harpsichord and organ music of Samuel Scheidt (died1654), whilst Johann Jakob Froberger (died 1667) was more inclined towards the Italian Frescobaldi. A peculiarly German form of monody arose in secular and religious solo song: dance music was elaborated into "suites' of several movements, above all by Johann Hermann Schein ). The religious vocal concerto developed further into the church cantata, based on specially written texts as well as on Biblical excerpts and chorales.

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