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Program for the Concert at The Church of Ålidhem
Jan. 30, 2005
Conductor Örjan Larsson
For training of independancy, the voices were mixed (STABSTABSTAB...).
However, the voices in each ensemble were close together.
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| Songtitle |
Melody |
Lyrics |
Arrangements |
Language |
Time |
Voices |
Choir size |
MP3 |
| O Magnum Mysterium |
Giovanni Gabrieli |
. |
Giovanni Gabrieli |
Latin |
3:11 |
SSAB ATTB |
Dual choirs and ensembles |
MP3
|
| Ave Verum Corpus |
Josquin des Pres |
. |
Josquin des Pres |
Latin |
2:32 |
SAT |
Trio |
MP3
|
| Tristis est anima mea |
Juan Gutiérrez de Padilla |
. |
Juan Gutiérrez de Padilla |
Latin |
1:50 |
SSAB |
Quartet |
MP3
|
| Ave Maria |
G. Verdi |
. |
G. Verdi |
Latin |
4:09 |
SATB |
Full choir |
MP3
|
| Ave Maris Stella |
Trond Kverno |
. |
Trond Kverno |
Latin |
4:49 |
SSAATTBB |
Full choir |
stim
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| The Beatitudes (Saligheterna) |
Sergei Rachmaninov |
Matthews 5:3-10,12 |
Sergei Rachmaninov |
English |
2:03 |
SSATB |
Quintet |
MP3
|
| The crowns of roses |
Pjotr Tchaikovskiy |
. |
Pjotr Tchaikovskiy |
English |
1:43 |
SATB |
Quartet |
MP3
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| Above all Praise and Majesty |
Felix Mendelsohn-Bartholdy |
. |
Felix Mendelsohn-Bartholdy |
English |
1.28 |
SSAATTBB |
Dubble quartet |
MP3
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| Kyrie |
J.G. Rheinberger |
. |
J.G. Rheinberger |
Latin |
2:49 |
SATB SATB |
Dual quartet |
MP3
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| Gloria |
J.G. Rheinberger |
. |
J.G. Rheinberger |
Latin |
2:48 |
SATB SATB |
Dual choirs |
MP3
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| Bohemian Rhapsody |
Freddie Mercury |
Freddie Mercury |
Mark Brymer |
English |
5:28 |
SATB Piano Guitarr |
Quartet |
stim
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| To the Mothers in Brazil |
Lars Jansson |
trad. |
Gunnar Eriksson |
Latin |
4:41 |
SSAATTBB |
Full choir |
stim
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| Komm, Jesu Komm |
J.S. Bach |
. |
J.S. Bach |
German |
9:42 |
SATB SATB |
Dual choirs and ensembles |
MP3
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| Ave Maria, Bogoroditze Dievo |
S. Rachmaninov |
. |
S. Rachmaninov |
Slavic |
2:24 |
SSAATTB |
Full choir |
MP3
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The original dynamic is preserved within each song, but not between the songs.
DDD live-recording (AB-stereo;). Presentations and handclapping are removed except after the last ordinary song (Komm, Jesu Komm).
Recorded with 24bits (44.1kHz WAV), gained to 100 per cent, first converted to 16bits WAV and then to MP3 with
a Lame coder (128kbit/s, 44.1kHz, stereo, constant bit rate, highest quality).
Microphones: Behringer B-5 (cardioid) Sampling: Tascam US-122 (24bits 44.1kHz USB),
Storing, conversion and editing: DELL Inspiron 8600 (PP02X) with Steinbergs Wavelab 4.0. Producer Göran Westling.
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